She received the Frank Jewett Mather Award for best newspaper art criticism in 1953, and the American Federation of Arts Award for best newspaper criticism in 1956. Recognition Īline Saarinen was given the International Award for Best Foreign Criticism at the Venice Biennale in 1951. She held this position until her death from a brain tumor on July 13, 1972. In 1971, she was made head of NBC's Paris news bureau, making her the first woman to head a network's foreign bureau. In 1970, Saarinen prepared a one-hour NBC program in celebration of the Metropolitan Museum of Art Centennial. Commission of Fine Arts from 1963 to 1971, and the New York State Council of the Arts. During the 1960s, she served on the Design Advisory Committee of the Federal Aviation Administration, the U.S. Saarinen was moderator on the show For Women Only, in which a panel answered questions from the audience, including ones on subjects such as birth control and abortion. Again, she covered a broad range of subjects. In October 1964, she became a correspondent for NBC News, the third NBC woman reporter after Pauline Frederick and Nancy Dickerson. She also made many specials and documentaries, including The Art of Collecting, which aired in January 1964. She discussed a broad range of topics with a lively and original style. In the fall of 1963, she became art and architecture editor for NBC's Sunday show, and art critic for their Today show. The show was successful, leading to demand for more appearances. In 1962, Saarinen first appeared on television, discussing art. In 1962, she edited the book Eero Saarinen on His Work. Aline stayed with the firm while unfinished projects were completed. In 1957, Aline was awarded a Guggenheim Fellowship during which she wrote the best selling book The Proud Possessors, a collection of biographies of American art collectors. In December of that year, they had a son, Eames. She became Head of Information Service at Eero Saarinen & Associates, a job that included bringing her husband's work to the attention of magazine editors with whom she had once worked. She continued writing for The New York Times as an associate art critic under the byline Aline B. Īfter their marriage, Aline stopped writing on architecture owing to potential conflict of interest. She married Saarinen in 1954 and moved to Bloomfield Hills, Michigan, where his firm had its headquarters. Her profile of Saarinen, titled Now Saarinen the Son, appeared in The New York Times Magazine on April 23, 1953. They were attracted to each other at once. In January 1953, she went to Detroit to interview the Finnish-born architect Eero Saarinen, who had recently been acclaimed for his General Motors Technical Center. She frequently wrote about modern architecture and the link between modern art and architecture. From 1948 to 1953, she was associate art editor and critic at The New York Times and published articles on art and cultural trends in various magazines. She obtained a job with Art News magazine in 1944, and was the magazine's managing editor from 1946 to 1948. She had two sons during this period, Donald in 1937, and Harry in 1939. The same year, she enrolled New York University Institute of Fine Arts, where she studied the history of architecture and graduated with an A.M. Louchheim, a public welfare administrator. In 1931, she graduated from the Ethical Culture Fieldston School in The Bronx, and then attended Vassar College, where she studied art and developed an interest in journalism. Her mother also painted, and she was encouraged to take an interest in the arts. Her father was the head of an investment firm and an amateur painter. Aline Bernstein Saarinen (Ma– July 13, 1972) was an American art and architecture critic, author and television journalist.Īline Bernstein was born on March 25, 1914, in New York City, the daughter of Irma (Lewyn) and Allen Milton Bernstein, both of German Jewish descent.
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